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FROM DIABLERIA TO «OPERETKA»: MUSICAL BUFFO AND METHODS OF NEURO-LINGUISTIC PROGRAMMING IN MYSTERY NOVEL OF M.A. BULGAKOV “THE WHITE GUARD”

Annotation

Theatrical and genre origins of M.A. Bulgakov’s novel “The White Guard” are analysed. They are mystery, diableria, singspiel, operetta, buffo. The musical score of the text is studied. The stylistic methods of language corruption are described. They are onomatopoeia, cacophony, anagram, paronomasia, syncope, apocope. The frames of cultural klinamens are defined as initiation in death and revival. Religious-spiritual influence of the work on the reader is defined as psychotherapeutic recovery. The symbolic “world outlook” is considered. The references to Tarot sign system are made and to the texts of F. Rabelais and Russian futurists V.V. Mayakovsky, V.V. Khlebnikov, A.E. Kruchenykh). The game abilities of modernist prose are revealed.

Keywords

mystery; diableria; buffo; operetta; neuro-linguistic programming (NLP); futurism; Tarot; F. Rabelais

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UDC

82-1/-9

Pages

42-49

References

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Received

2017-01-10

Section of issue

Culturology

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