Menu: Home :: go to Journal :: switch to Russian :: switch to English
You are here: all Journals and Issues→ Journal→ Issue→ Article

Poetics of “inserted constructions” in the novel by B. Schlink “Homecoming”

Annotation

The novelty and relevance of the research are as it contains a poetic analysis of the novel “Homecoming” of the modern German writer B. Schlink in the perspective of the issue of “inserted constructions” as a principle for organizing an artistic text in the contemporary novel. We form the current task of researching B. Schlink’s work in the light of the problems of non-classical artistry, and also with the need to identify the characteristics of understanding in the novel of the important social and political processes of the modern era. As a result of the analysis we show a new poetic significance of “inserted constructions”, they become an essential element of the textual organization of the novel “Homecoming”. On this basis we establish that narrative and “inserted constructions” not only overlap, but also interpenetrate and interact on each other in the text of the novel, so they generate new shades and new meaning combinations – this enables to artistically express the complexity and kaleidics of the modern world. This justifies the modern German novel inclusion in the general art process of adequate poetic tools development aimed at reflecting the changed ideas about the man and the world.

Keywords

B. Schlink; the novel “Homecoming”; “inserted construction”; genre paradigm; “memory of the genre”; non-classical artistry; intellectual fascism

Full-text in one file

Download

DOI

10.20310/2587-6953-2018-4-16-73-80

UDC

82-1/-9

Pages

73-80

References

1. Valgina N.S. Teoriya teksta [Text Theory]. Moscow, Logos Publ., 2003. (In Russian). 2. Gerashchenko A.M. Tipologizatsiya vstavnykh tekstov [Typologisation of inserted texts]. Izvestiya RGPU im. A.I. Gertsena – Izvestia: Herzen University Journal of Humanities & Science, 2008, no. 54, pp. 35-43. (In Russian). 3. Isayev S.G., Vladimirova N.G. Aktual’naya poetika: smena khudozhestvennoy paradigmy [Current Poetics: the Change of the Artistic Paradigm]. Velikiy Novgorod, Yaroslav-the-Wise Novgorod State University Publ., 2017, 482 p. (In Russian). 4. Lotman Y.M. Vnutri myslyashchikh mirov. Chelovek – tekst – semiosfera – istoriya [In the Thoughtful Worlds. Human – Text – Semiosphere – History]. Moscow, Yazyki russkoy kul’tury Publ., 1996, 464 p. (In Russian). 5. Potanina N.L. Aktual'nye sposoby konstruirovaniya teksta v sovremennom zapadnoevropeyskom romane [Current methods of the text constructing in the modern West European novel]. Neofilologiya – Neophilology, 2018, vol. 4, no. 13, pp. 30-38. (In Russian). 6. Roganova I. Nemetskaya literatura kontsa XX veka i aktualizatsiya postmodernistskoy paradigm [German Literature of late 20th Century and Postmodernism Paradigm Actualization]. Moscow, Rudomino Publ., 2007, 416 p. (In Russian). 7. Rudnev V.P. Slovar’ kul’tury XX veka [Dictionary of Culture in 20th Century]. Moscow, Agraf Publ., 1997, 384 p. (In Russian). 8. Schlink B. Vozvrashcheniye [Homecoming]. St. Petersburg, Azbuka-klassika Publ., 2010, 320 p. (In Russian).

Received

2018-08-20

Section of issue

Studies of literature

Для корректной работы сайта используйте один из современных браузеров. Например, Firefox 55, Chrome 60 или более новые.